Monday, August 10, 2009

A Rose for Emily

For Harry (assuming this finds you first):

Let me begin by saying that yes, I do realize that I'm kind of a prick. The kind of prick that rather enjoys fornicating with ethereal beings, I'm afraid to admit, but a prick such as that is a prick nonetheless. And while I had originally intended to address this at a later point, I feel it is important for me to reiterate these two things. One, it is not necrophelia, if for no other reason than the uninvolvement of a corpse, and two, don't knock it until you try it. Moving on. As I've replayed the events of the past several months over and over again in my head, the actions in which I am about to partake have appeared to me, after careful consideration and several chalices of mead, as the only (vaguely) rational cure for the clusterfuck predicament in which we have found ourselves to be so entangled. Still, I am determined to commit this to paper before I fully execute this Final Solution (catchy name, is it not?), in hopes that perhaps some brilliant new clarity will awaken within me before that threshold crossed and we've forfeit all opportunity to fall back.

That, or the more likely scenario, whereupon I finally realize that I am hardly more than a coward myself, and that to commit this whole grand narrative to paper is really just a sad attempt to put off the inevitable; as I'm sure you've caught on by now, such careful and cautious decision making of which I previously presented myself capable is hardly in character for a impetuous, headstrong (but goddamn handsome) prick such as myself. Rather, procrastination has often presented itself as one of my finer traits; even my destiny seems to carry it in great quantities and along with that digression go all of my noble delusions of do-goodery.

Well, shit. So much for that fantasy.

Speaking of—of, "Well, Shit," that is—I believe that phrase holds a wonderful place of importance in the history of my reign, as well as that of our relationship. So much so that perhaps before I go I shall declare holiday of some sort in its honor. "National 'Well, Shit,' Day.' Has a swell ring to it, does it not? Granted, there's a bit much punctuation when you spell it out like that, and unfortunately, I've always felt that holidays should possess names that are crisp and succinct, and while I suppose I could simply declare it "Shit Day," I fear that it lacks the same punch. And then of course the history books, presupposing they recall anything relating to my brief tenure on the throne, will dub me with some delightfully ridiculous nickname such as, "Lord Aleksander, the Shitheaded."

On second thought, it would perhaps be desirable to go down in history as The Shitheaded rather than The Whiney Ghostfucker.

On third thought, perhaps I win either way. Where were we?

Ah, yes. "Well, Shit." I suppose an epigraph will suffice, emblazoned on the archway in golden majuscules. None of this sans-serif nonsense, only the most majestic and decorative lettering imaginable for to immortalize the very first words I spoke, excepting the standard marching orders given by an invading general mid-invasion, when I first stepped foot in this castle. Can you imagine if it were a marching order? Granted, it would be hilarious for a brief and fleeting moment but if ever there were a way to make a bad day worse, that would be it, and I believe it goes without saying that that day could not have possibly sunk any lower than it already had by the time I arrived. Only, it was then that I arrived, so perhaps I'm wrong on that.

If memory serves—and after the bottle of mead I drank this morning to work of the courage to write this in the first place, it could go other way—it happened in the old King's private court, a room that we've since boarded up. I'd have allocated the funds at some point to preserve it as a memorial to the Old Guard, to honor the dead but, as we've well established, I'm a selfish prick, and therefore such a rational and sympathetic act is well beyond my capabilities. Of course, even if I weren't such a prick as I am (but I am), the cost of repair and restoration would have been astronomical. Keep that in mind in case this gives you an big ideas (and also be sure to credit any big ideas to me. I'll be watching).

When I first stepped foot in that room, I counted no more than six square feet of dry ground left unscathed by the tidal wave of blood that seemed to wash across the floor, seeping into the dirt between the tiles, as if the earth beneath them were a Sham-WOW. God, I had never seen so much blood and death concentrated in such a small space before. Everyone you had everyone known or loved—everyone they had ever known or loved, as far as I could tell—their fresh corpses littered the ground, fresh with the stench of dying. I remember all the shiny wounds, the wide open eyes that oozed blood and brain from the corners like cataracts from Hell. What I later learned was poison left a thin, shimmering layer on every blade, left all who felt its puncture choking in their own vomit and coughing up their withered, decaying organs. I'd dare say that even the deepest stab wounds and severed limbs went unnoticed by the victims as that potion took its toll. I remember a velvet curtain that adorned the King's proscenium. The first thing that sprung to mind when I observed its rich majestic coloring would have been blood red, if I hadn't noticed the rust brown stain of actual blood that dyed its skirt. I remember the cloud of dust that engulfed the room when that curtain finally collapsed from the weight of all the blood it had absorbed, and how it sifted through the air so unsettled.

Now ideally, I'd have waited to speak until something more eloquent, more fitting of a Lord than, "Well, shit," had come to mind, but in the interest of full disclosure, I must concede: I've a terrible dust allergy, you see, and uttered the very first words that entered my head so as to overpower the growing sneeze I felt approaching. Can you imagine?
    "Ahhh-choo!"

    "Bless you."

    "Thank you. Now where was I? Oh, right! Everybody's fucking dead in what looks to be a massive, orgiastic blood bath! Oh man, did she gets the tits chopped off of her or—no, wait, that's a man. How are you then, dear survivors of this batshit crazy massacre? By the way, now that everybody's dead, I hereby declare myself as the undisputed sovereign ruler of your fair and primitive country. Now, who's up for a game of cricket then?"

So you can see why "Well, shit," was my preferred opener. When the left with the choice of coming off as an insensitive fascist bastard or just "kind of a prick," I'm partial towards the latter option (and you would not believe how many times I've been faced with that decision. Trust me —kind of a prick is much the preferred path).

But really, if you look at the whole situation from a detached, objective point of view, it's all rather hilarious. I'm serious. Think about it. Arrogant bastard prince (not literal bastard, mind you) of a neighboring country, one whose Daddy issues even have Daddy issues, shows up to conquer new land in the name of dear old Dad and finally prove himself to be a man and not something Daddy should have left on the toilet seat or Mommy's back, and what happens? The whole damn royal court took care of the hard part and slaughtered each other, only moments before he arrives! Well that was easy then, wasn't it? Especially since, if history is any indicator, my fighting prowess is about the equivalent of a limp dick on steroids— it might feel huge and manly, but at the end of the night, it's still a limp dick. Not my limp dick, of course, but you get the idea.

Monday, February 23, 2009

The Superpower of Myth or, If There Were No Jerry Siegel

EXT. PARKING LOT - NIGHT
The parking lot of the bar overlooks a beautiful city skyline, with a billboard near by that could easily double as a bench. CALVIN and JAMES, both in their early to mid 30s, are near the billboard, passing a marijuana pipe. Calvin is a hulking, masculine man, the epitome of alpha male, but still remarkably approachable. He gives off an almost superhumanly enviable aura, and not coincidentally, he is dressed in a full spandex Superman costume. James is bald and wears a long black trench coat. He takes a big puff and holds it in for a moment before he exhales and passes the pipe to Calvin.

JAMES
So yeah, I don’t know. Sometimes I think like, we’re meant for more. You know? Like, we’re all meant to be something greater. Something...something better, something more than. But then we don’t, for whatever reason, and then we’re just like, there. We’re just here, you know, and that’s it.

CALVIN
Why is it that people get all analyl-lit...analytical when they’re smoking weed? It just makes me relaxed, man. I don’t want to think about anything, I just want to sit back. Take it in. No offense, I just hate it when people have these existential crisii* when they’re st--

*Note: Pronounced “crise-eye”

JAMES
Fuck! Fuck man, I hate when people do that!

CALVIN
When they-when they take it in? What are you-

JAMES
Ugh! Look, Calvin, I’m sorry but it just gets me, you know? Every writer’s got his own little writing issues, little grammatical pet peeves. And that, man, that is fucking mine.

CALVIN
Existentialism?

JAMES
No, man! Fucking “crisii” and shit!

CALVIN
So you hate crisiis?

JAMES
See! There it is! I just-I don’t get why people do that. Some asshole on the internet probably started it for whatever reason, and now everybody does it.

CALVIN
Relax, hey. You want, I can pack another...

JAMES
Crises! It’s “crises,” or God forbid, “crisises,” but not fucking “crisii.” Ugh.

CALVIN
Crisises? You sure that’s right?

JAMES
Yes, I’m sure.

CALVIN
What if there are infinite crisises though? Infinite crisii...crises...

JAMES
Crises. It’d be infinite crises. It’s the same with octopus.

CALVIN
That’s octopii.

JAMES
No, it’s octopuses.

CALVIN
Or octopussees. No...octo...poos? pees? Octopees?

JAMES
Okay. Bad example. How about...penis, how about penis. It’s not “penii.” It’s penises. Or, penes.

CALVIN
Penes?

JAMES
Penes, yeah.

CALVIN
Really?

JAMES
Yes!

CALVIN
Huh. Not sure when you’d find occasion to refer to more than one penis anyway.

JAMES
Says the man who wears tights and a cape.

Calvin shrugs and looks out at the view.

JAMES
Where’d you get that thing, anyway?

CALVIN
I can’t even remember. I feel like I’ve always had it, since I was born. Flew out of the womb, just like that.
(pause)
It’s sad, really. A lot of people take these things for granted.

JAMES
Billboards?

CALVIN
No man. Capes. Criminally underrated fashion accessory.

JAMES
Right.

CALVIN
You know, there is nothing like a city skyline to put things into perspective. I travel a lot for my job, right, and let me tell you Jerry, you can go anywhere in the whole wide world--hell, the whole universe--and there’s nothing quite as beautiful as that.

JAMES
I’m James.

CALVIN
Really?

JAMES
Yeah.

CALVIN
Weird.

JAMES
But no, I got you. ‘Cause it’s like everything’s so much smaller there, from here, that it’s like not a big deal. It makes everything seem like your toy or something, like it’s yours and you just, you get it, because you’re just, you’re bigger than that now.

Calvin looks at James; a moment of silence passes, as Calvin actually considers what James has said.

CALVIN
So what you’re saying is, all those people down below, each going about his or her own business, that just because they don’t get to appreciate the same view as we do right now, you’re saying we should look down on them. That they’re somehow smaller, or less than us.

JAMES
Yeah, yeah.

CALVIN
Huh.

JAMES
What?

CALVIN
See, I couldn't disagree with you more.

JAMES
Oh.

CALVIN
Look at those moving lights down there. Imagine that there’s one person in each car, or window, or whatever. How many people is that?
(James starts to count out loud)
A lot, right? And all those people down there are part of a community. The same community, and they don’t even realize it. Even if they’ve never seen each other, they’re a part of something, something greater than the sum of its parts. And we’re up here. Alone. Well, together, but still separate.

JAMES
Huh. I thought you said you hated all this drugged up philosophy crap?

CALVIN
Well I do. It’s ingenuine. Is that the right word?

JAMES
It's ingenuous actually, but yeah.

CALVIN
Ingenuous, right. It’s what people think they’re supposed to be or feel, when they want to blend in. It’s like a pair of glasses you put on that don’t really help you see.

JAMES
It’s ‘Doesn’t.’ You’re referring to a singular pair, not the plural glasses, so you’d use ‘doesn’t,’ not ‘don’t.’

CALVIN
Are you sure that about that one?

JAMES
Absolutely. So how is what you’re saying any different than that?

CALVIN
Because what I’m saying is the truth, not same forced philosophy. For me it’s like I took the glasses off, and now I can see more clearly. Now I can focus. You see that veritable metropolis down below? That is what restores my faith in the world. Every person becomes their own little shining light from up here, and that glow is what makes each person special. Everyone is doing something, or going somewhere or whatever, giving life to this great social organism, an amoeba with moving parts. It’s like an ant farm, but we’re the ants. And there’s no Queen. Or maybe God is the Queen. Do you ever wish you could hear them?

JAMES
Queen? I’ve got the live album.

CALVIN
People.

JAMES
People?

CALVIN
That’s right.

JAMES
All of them?

CALVIN
All of them. Each and every conversation. Every whisper, every breathe. Every laugh...every tear! Everything. You can tune in or tune out when you want but you can still scan their voices. Like radio stations, like XM satellite radio, every time you need to remind yourself that everything’s alive. That every life is unique. Precious, like a, like a song.

JAMES
Wow. That was beautiful, man. You should be a writer or something. Hell, I should have you ghostwrite for me. It’d make my life easier, anyway.

CALVIN
Well what are you working on?

JAMES
I’m doing this screenplay for Warner Brothers. And like, I want to make it good, you know? Really unique and profound. But I know they’re just going doctor it to shit no matter what I write. I mean, what kind of doctor makes things worse?

CALVIN
Dr. Kevorkian, for one.

JAMES
Oh yeah. Who else?

CALVIN
Well there’s a bunch. Hugo Strange. Doctor Sivana. Rotwang. Doctor Jekyll!

JAMES
Lex Luthor.

CALVIN
Luthor, yeah. Definitely. Who else?

Beat. James and Calvin try to think of more bad doctors.

JAMES
That’s all I got.

CALVIN
Yeah, me too. Ah well.

WALTER enters. He is tall and lanky with curly hair and a beard.

WALTER
There you are! Shit, kid, I’ve been looking all over for you. The girls said they were taking off so I thought I’d come find you. Have you just sitting out here the whole time? What gives?

JAMES
We were-I came out here and we started talking and we just, you know.

WALTER
No, kid, I really don’t know, so why don’t you tell me?
(beat)
Are you high right now?

JAMES
Um. Maybe?

CALVIN
This a friend of yours?

WALTER
(to James)
Is that guy wearing a Superman costume?
(to Calvin)
Are you wearing a Superman costume?

CALVIN
Looks like.

JAMES
This is Cal, um, El-

CALVIN
(extending his hand to Walter)
Elder. Calvin Elder.

JAMES
And uh, this is my buddy Walter. He works for the studio I’m writing for.

CALVIN
Nice to meet you, sir.

JAMES
And also, I think it’s technically a uniform. Not a costume.

WALTER
Did I really just shake hands with fucking Superman, stoned off his ass, outside some shitty LA dive bar?

CALVIN
Really? You’d call this place a dive? Sure, it’s not the best looking joint but-

WALTER
Am I high now? See, this is why I hate West Hollywood. Because a moment ago, I was in that bar with four very attractive women, each with cute little accents and I was actually kind of concerned for your well being and now I’m out here and you’re smoking up with a fucking cartoon character-

JAMES
Comic. Superman’s a comic book.

WALTER
...fucking cartoon character and I strongly suggest that you leave this part out of your story treatment or perhaps you’d forgotten that it’s due next week. I mean, shit, kid, do you have any idea how much we make off merchandise? The picture’s nothin’. With a gig like this, it’s all about the brand, and a marijuana Superman would just obliterate the under-12 demographic. And that’s our bread and fucking butter! We’d have to go from lunchboxes to Superman water bongs just to break even. You really think that’s a good idea? I mean, what, is this your idea of some kind of surrealist character research? This is how you get into the character’s head for your “genre-smashing epic” Hey, “Calvin Elder,” is he giving you a cut of this, or what? I hope it was up front cash, man, ‘cause ten percent of zero is zilch. Nada.

CALVIN
Of course not. It was a gift. My treat. I offered it to him, it looked like we could both use some companionship, and really, that’s payment enough.

WALTER
Is this guy just fucked up, or does he really not have a clue?

CALVIN
Jimmy? What’s this fellow on about?

WALTER
Where the fuck did you find this guy? He’s hilarious.

JAMES
Remember that script I mentioned earlier? It’s actually for uh, for a new Superman movie.

CALVIN
Wasn’t there a just new one not too long ago?

JAMES
Yeah, well, we’re trying to kind of reboot the franchise with this one. Kind of like Batman, I guess.

WALTER
Jimmy here’s got it in his head that he’s going to pen this brilliant tragedy, a Modern Myth for the ages, I think he said. Is that what you said? Thinks he’s writing Shakespeare with tights and a cape. He’s still young. Thinks that people actually care about a fucking cartoon. No offense, of course.

CALVIN
None taken.

JAMES
There’s just a lot more to Superman than I think people realize. He’s not just a marketing scheme or a brand, you know? He’s like the perfect archetype for modern man. He’s relevant. The whole story, the whole mythos, it’s like it resonates with our collective cultural subconscious.

CALVIN
Wow. Are you sure you still want me to ghostwrite? Because this sounds like it could be a lot of work and I don’t want to ruin this for you.

WALTER
He’s your ghostwriter now?

CALVIN
Ghost Rider’s Marvel, not DC.

JAMES
Okay. Think of it this way: do you think Superman is a product of desire, or necessity?

WALTER
What the hell does that even mean?

JAMES
The guys who created Superman, did they do so because they were bored or whatever, or do you think they were fulfilling some kind of evolutionary imperative? Does our society, or any society for that matter, by its nature necessitate the creation of this ideal being, this--literally, this super man--in order to function? To survive? This enviable alpha male that we all long to be.

WALTER
That is exactly the kind of dumb fucking question you ask when you’re high. That’s the only time people think of that shit, when they’re having one of those drug induced existential crises.

CALVIN
Or crisises.

WALTER
(to Calvin)
Don’t correct my grammar. You’re wearing fucking tights.
(to James)
Alright, listen kid, I came to tell you I’m heading out. With the girls. And since you’re in whatever state you’re in, I assume that’s alright with you.

JAMES
All of ‘em? There were like four girls back there, Walt.

WALTER
Well. Guess it’s my lucky night then.
(he looks at Calvin)
Who the fuck just walks around in a Superman costume anyway? Fucking Los Angeles, I swear to God.

Walter exits. James and Calvin sit in silence for a moment.

JAMES
Why are you wearing a Superman costume?

CALVIN
Would you rather I was naked?

JAMES
What? No! I-

CALVIN
Hey, it’s cool. I get it. This is one of those West Hollywood things. I always forget that around this part of town. I mean, I’m flattered, really, but I don’t fly that way.

JAMES
You fly?

CALVIN
Ha. Actually, I was on my way to a costume party at my--well, I guess it’s my ex-girlfriend’s place now, and I don’t know. I just got nervous. So I came up here to clear my head a bit. We’re still talking and all, her and I, but we’re not together. ‘Open lines of communication,’ she calls it. It was all her idea.

JAMES
Why?

CALVIN
Well, we work together for one thing, which is already mess. I don’t know. I guess she thinks it’s healthy--emotionally--for us to still keep in contact so-

JAMES
No, I mean. Why is she-what-why’d you break up?

CALVIN
Oh. Well. It’s complicated, you know. The long and short of it is, she doesn’t think I’m not being honest with her. Honest with myself. She thinks I’m always trying to be someone I’m not, and the real me isn’t there when she needs me to be, and that she loves the man that she thinks I am, but she isn’t sure if I’m that person, and...yeah.

JAMES
Wow. That does sound complicated.

CALVIN
Yep.
(beat)
Listen. How are you feeling right now?

JAMES
Well, Walter’s kind of a buzz kill, but...I think I’m doing alright. Why?

Pause. Calvin contemplates.

CALVIN
Walk with me. Come on.

Calvin leaps to his feet, but he is no longer Calvin-he is the genuine Superman, void of all false bravado and pretention. He walks and stands and presents with confidence and comfort, but never with contrived cartoon poses, as he helps James to his feet.

JAMES
Where are we going?

CALVIN
For a walk. I think we could both use a new perspective. Clear our heads a bit. It's one thing to be all the way up here above the city, looking down at the people below, but you're never going to truly understand them, understand this whole little world, unless you walk among them. You need to appreciate it, sure, but you also need to assimilate it.

JAMES
Assimilate what?

CALVIN
Everything, Jimmy. The good and the bad. All their shortcomings. Their pettiness, their jealousy. Hell, even their hope. Especially their hope.

JAMES
Hope is a shortcoming?

CALVIN
Well that's the grand irony of it. A super paradox. But the most beautiful things in life always are. You see, Jimmy, those shortcomings are precisely what makes people so great, makes them all worthwhile, because that's the thing that makes them all so undeniably human. And that's something worth fighting for.

FADE TO BLACK.
END

Sunday, January 18, 2009

A Shower Scene

Hypnotized by the rhythmic pitter-patter of the spitting drops of water as they hit the tiles stained with mildew and God knows what else, Dylan forgot that his body existed. With his petrified hands clamped tightly to his mouth, he stared in silence and absorbed the scene that lay sprawled on the floor of the stall. For three whole minutes of eternity, he was motionless; he could neither breathe nor blink. Even the pounding of his heart had slowed, and the heavy reverb of its kick drum sound drowned out by the screeching shower head above. The steam in the air soaked his skin like a morning dew. He never even noticed the churning in his gut, or the small acidic butterflies that burned inside his throat.
Asphyxiation. His starving lungs gasped desperately for oxygen, letting out the pig squeal of a shallow breathe. When at last he inhaled, he felt the air sift through the cracks between his fingers and softly tickle his skin, just enough to tear him from his daze and alert him to the truth before his eyes.

(To Be Continued)

Thursday, December 18, 2008

A Letter to the Boston Police Department

Dear BPD,

Remember the time that an evil, crooked man attempted--several times, mind you--to kill me today? I called you up on telephone, using that "911" number I received from you at the ball all those weeks ago, and told you all my horrifying experience biking along Massachusetts Avenue when the evil, crooked man in question tried repeatedly to drive his dark green Toyota Camry (Massachusetts license plate #67Z G73) into my bicycle like some kind moving target. We had a lovely conversation--your silky smooth alto was so full of empathy, and really helped to calm me down after this horrifying attempt on my life. Although I was fine, you offered to call an ambulance or other such service for me. I gave you the direction that the driver was heading, as well as a physical description of the man. You even asked me for my phone number, so that someone from the BPD could call me and gather information for an official report.

But alas, more than six hours passed, and I did not receive any such phone call. And what's more, when I called the Police Headquarters and inquired as to the status of the incident report, I was informed that no such report existed! My outgoing call log insists that I made a 3 minute 911 call at 11:43 this morning, there was no proof of this communication. Why, there were no hit-and-runs reported at all today!

Sweet Lady Justice, how would you do this to me? In my most vulnerable moment, where my life flashed before me only seconds earlier, you manipulated me and made me believe that I could trust you. Just like a woman! I should like to see you hanged in the square for such treachery, but I'm told that this is an antiquated practice, apparently much like THE FUCKING BOSTON POLICE DEPARTMENT DOING THEIR GODDAMN JOB FOR ONCE INSTEAD OF FEIGNING INTEREST AND ALLOWING MY WOULD-BE MURDERER TO ESCAPE WITHOUT SO MUCH AS A SLAP ON THE FUCKING WRIST.

I do hope you would show me such kindness the next time that you confront me for being drunk in public

Sincerely, me

Wednesday, September 24, 2008

A Letter to Tom DeLonge

Dear Tom DeLonge,

First let me begin by saying that I have always defended you whenever some self-righteous hipster asshole knocks on Blink182; truth be told, if you're between the ages of 18 and 25 and you DON'T own a copy of either "Enema of the State," or "Take Off Your Pants and Jacket," then you probably never, ever had friends growing up. Yes, I realize that now it's uncool, and most self-respecting 18-to-25-year-olds have outgrown it, but still: it was a significant part of most of our adolescent lives.
I had the misfortune of seeing your new band, Angels and Airwaves, this past week and feel like the few happy memories I have of adolescence have been brutally raped and slaughtered. No longer will I be able to look back on those days spent in Andrew's attic bedroom, rocking out to "Dammit" and playing Dreamcast after school. No, Tom DeLonge, your latest attempt at "Blin182-does-'Disintegration'" is an abomination. Did you really need all of the ridiculous strobe lights trained on the audience, flashing wildly to cover up your mistakes? And why the fuck were you prancing around the stage twirling glow sticks during one of the few moments of darkness when my eyes finally had a break? I'm all about performance art when done with a purpose, but extending your arms and hanging them in crucifixion position, or mounting green laser light goggles for 8 bars and looking frantically around the auditorium for the lone sorry sap that actually gives a shit about what you're doing, is hardly art; it's masturbation.
To be honest, I kind of miss the days when you were all about masturbation, and were damn proud of it. Now I suffer from horrible visuals of your beer-bellied, pushing-40, black-nail-painted self running around naked like in the video for "What's My Age Again?" in my head, and every time I think about it I throw up in my mouth. At least you accepted the fact that you can't even play guitar, but to make up for it you spent most of the set frolicking across the stage and posing like that creepy old guy that goes to the same karaoke bar every goddamn week and sings shitty 80s ballads way too over-dramatically, hoping desperately that someone will "discover" him (or like me when I'm singing Meat Loaf...which is intentionally meant to be ironic...really...)
When Blink182 broke up 4 years ago (why do I remember that?), it was as if they had died for the collective sins of everyone who had been a teenager in the early '00s. Do us all a favor and lose the fucking martyr complex; I'd like to salvage at least one happy memory of ignorant, innocent, adolescent bliss.

Sincerely,
"Dude Ranch" was better

PS Robert Smith called. He wants his shtick back.

PPS My pupils still aren't dilating properly and I'm sending you the optometry bill, asshole.

Monday, September 22, 2008

The Sound of Silence

Carey always had a sharp ear--her mother was an opera singer-turned-voice instructor who raised her girl to always stay in tune with the sounds of places and words and the world around her. As she grew older, she found comfort in the lingering baritone reverb of a man's voice, and the sultry sounds of thoughts sneaking past pursed lips and hanging softly in the air, leaving a trail of audible bread crumbs behind. Even her own mezzo-alto echo could glide with the weight of a hummingbird's song.
It was the complete absence of an echo, however, that made Ben's adverse reaction to her news so shocking. The cavernous boom of his refusal was hardly a tickle in Carey's mind compared to the sight of him catching her words in mid-air and crushing them in his hand, letting the syllables sift lie sand through his clenched fingers. There was nothing more haunting to her than the absence of sound; nothing more isolating than the feeling of still, silent air on her skin. Carey felt asthmatic; without the vibrations of soundwaves and frequencies, the air tasted thin and dead. She looked down and saw every plosive and sibilant shattered like glass fall and sprinkle the ground. That was when she knew that she never taste the resonant tones of Ben's sweet voice again.

Spirit Weak

Mrs. Bartleby was never one for mystical events, and when rumors spread of the spiritual wildfire that had consumed the other parishes in the region, her skepticism held fast and strong. That's not to say that she never had faith--she had plenty to go around--but she simply found those wild spiritual gifts and fits of holy enlightenment to be somewhat absurd and exaggerated.
Imagine the look of surprise on the parishioners' faces on that Sunday morning  when Mrs. Bartleby stood up after writhing like a dying snake on the floor of the pew. She nonchalantly patted off the gathered dust from her best blue dress, trying hard not to acknowledge that mere moments earlier, her heart had become a fault line, casting wild tremors through her body. Mrs. Bartleby simply wiped the spilled silva from her chin, pulled her dress back down, and neatened her hair. 
When she finally surveyed the scene, hoping no one noticed her, she was greeted by a sea of wide, frozen, lemur eyes, all aimed unflinchingly towards her. She stammered for a moment before turning back to face the altar and lifting her face up ever so slightly. Sensing the collective eyes  still trained her, she waited a moment before announcing, "I had a bad cough this week. That must have been the last of it."
Satisfied with her response, the parishioners looked away, and Father Bailey continued on with the mass as if nothing had happened.
"At this time--especially in such a sensitive and tumultuous climate," he boomed through the house PA, "it is important to ask yourselves: who would Jesus vote for, if he were able? Now, I cannot answer this query for you, but I should not have to remind you all that the Lord is with us everyday, and we need only to open our hearts and listen and we will find the answers and the guidance that we need to make such difficult decisions in even more difficult times..."
When the congregation rose shortly thereafter, Mrs. Bartleby excused herself, hiding in the shuffle, and slipped away to the bathroom to fix her hair.

Wednesday, September 17, 2008

Here's Your Future

SETTING:
A dimly-lit public house, where everything is made of whiskey-stained wood. The bar is an island or penninsula, with patrons on at least three sides and racks of upside-down glassware overhead.

PAGE 1

1/1 WIDE-NARRATOR’S POV
The narrator brings a glass of beer down from his mouth towards the bartop; his face is not seen, though his speech indicates that he’s a bit drun. The bartender is cleaning glasses. Seated on a different side of the bar from Cain is ADAM NG, an Asian male, about 26 years old. A Grad student at MIT, Adam is wearing a striped sweater or possibly a polo and looks like he’s been here for a while, drowning himself in a glass. The rest of the bar is populated by regulars/townies and a group of Adam’s peers, all wrapped up in celebration. A “Congratulations” banner hangs across the ceiling over a large booth.

NARRATOR (CAPTION)
So this is then.

NARRATOR (CAPTION) (CONT’D)
Now. Whatever.

NARRATOR (CONT’D)
This is...what’d you call this?

1/2 MEDIUM CLOSE
The bartender looks up at the narrator with a baffled, incredulous expression tinged with a slight hint of annoyance. He is still cleaning glasses.

NARRATOR (CAPTION)
Despite a few changes in its archaic aesthetic, it’s really not much different when I’m from.

BARTENDER
Guinness.

1/3 CLOSE
The Narrator holds the glass up to his eye, observing its deep opaqueness and creamy head. For the most part, the glass obscures his face.

NARRATOR (CAPTION)
People don’t change. Not really, anyway.

BARTENDER
Where’d you say you were from again?

NARRATOR (CAPTION)
There’s a comforting consistency in the way that people interact, no matter when or where you go.

NARRATOR (CONT’D)
Where?

1/4
Close on Adam Ng, moping, completely oblivious that he is the focal point. Cain and the Bartender continue their conversation in the background, unnoticed. The Narrator’s face is still somewhat obscured and/or lacking in detail.

NARRATOR
Around. I guess.

NARRATOR (CONT’D)
Gulp

NARRATOR (CONT’D)
Guinness. Huh. Wish they still made this stuff. Don’t know why they’d ever stop.

NARRATOR (CAPTION) (CONT’D)
Adam Ng might be the smartest guy in his class, though he’s far from the top.

NARRATOR (CAPTION) (CONT’D)
By the fall of his sophomore year, he was the TA for a seminar class in Nonlinear Optics.

NARRATOR (CAPTION) (CONT’D)
Now?

1/5 CLOSE
Adam sits up drowsily and tries to get the bartender’s attention for another drink. JAE, one of Adam’s peers, comes up behind him. Jae is much more hip and fashionable than Adam.

NARRATOR (CAPTION)
Supersymmetry.

JAE
C’mon, man. Hang out with us over here for a while. What, are you gonna spend the whole damn night hunched on a bar stool?

PAGE 2

2/1 MEDIUM WIDE-TWO SHOT
Jae helps Adam off his stool and drags him begrudgingly to join the rest of the group beneath the “Congratulations!” sign.

JAE
Hey--I’ll even buy you a drink. You deserve it, after all. Hey, sound good? Hey! Adam?

NARRATOR (CAPTION)
They’re celebrating the culmination of a directed study project that they’ve been working on for over a year now. Adam actually came up with the idea while he was still an undergrad.

NARRATOR (CAPTION) (CONT’D)
Together, they organized the First Annual Time Traveler’s Convention.

2/2 SAME ANGLE
Jae and Adam look up or squint or shield their eyes as a blinding light from outside bursts through the windows and consumes the inside of the bar.

NARRATOR (CAPTION)
They advertised the event by slipping invitations into time capsules, library books, and anything else they think of, in hopes that they might be found by the technologically savvy denizens of a future time.

2/3 SAME ANGLE
The bright light subsides; Adam and Jae look on as their pupils adjust to the sudden change.

NARRATOR (CAPTION)
Everything went smoothly and according to plan--there were lecturers from across the globe, bikini-clad models wearing fake Vulcan ears, and all the best food that the early aughts could offer--but there was still something missing. There was one minor detail that went overlooked:

2/4
The bottom half of the page reveals a man in futuristic garments entering the bar, with parking lot flood lights spilling in behind him; this is CAIN. His clothes should be fashionable, functional, and realistic as far as futuristic garments are concerned, but they should also be somewhat on-the-nose and stereotypical: an aluminum-looking jumpsuit with racing stripes the side, etc. It should be clear that he is from the future, or at least that he’s supposed to be; if one were to cast doubt on him because of his attire, it would be a valid argument.

NARRATOR (CAPTION)
There were no time travelers.

CAIN
Uh, hey.

CAIN (SMALL) (CONT’D)
Am I late?

CAIN (SMALLER) (CONT’D)
Dammit.

PAGE 3

3/1 CLOSE
The Narrator takes another drink from his glass.

NARRATOR (CAPTION)
Right on time.

3/2 SAME ANGLE
The Narrator wipes his mouth after putting the glass down.

NARRATOR (CAPTION)
Well, relatively speaking.

JAE (O.S.)
Can I help you?

3/3 MEDIUM TWO-SHOT
Jae approaches Cain, offering help; Adam is nearby, disgruntled and clearly not amused by the stunt. Cain wears something on his wrist that is blinking wildly.

CAIN
Yeah. I came for the time travelers’ convention?

CAIN (CONT’D)
(Wow, this is embarrassing)

JAE
Sorry, man. That ended a few hours ago.

3/4 MEDIUM
Cain recoils in frustration and looks to the device on his wrist. Jae is curious and looks on, trying to help, but Adam throws his hands up, completely over the whole thing.

CAIN
Dammit!

JAE
Did you travel far, or...?

CAIN
Yeah. Right.

CAIN (CONT’D)
It’s this stupid thing. Never works how or when I want it to.

ADAM (SMALL)
I can’t believe this.

JAE
What is that thing?

PAGE 4

4/1 CLOSE
The Narrator looks at his own wrist, which sports a device that is remarkably similar to Cain’s. It, too, is blinking and beeping frantically.

CAIN (O.S.)
It’s a Tachyon Compression Gauge

NARRATOR (CAPTION)
You are such an idiot.

CAIN (O.S.)
When it works, at least.

CAIN (O.S.) (CONT’D)
It’s supposed to read and monitor stringent and derivative particles in divergent timelines . Or something like that, I don’t know.

NARRATOR (CAPTION)
Now or then. Doesn’t matter.

4/2 MEDIUM CLOSE
Cain hits the device on his wrist, hoping it will work.

CAIN
Stupid thing...!

CAIN (CONT’D)
Work, dammit!

NARRATOR (CAPTION)
It’s our fault. It’s our fault that it’s flipping out. It’s our fault that it’s out of control.

NARRATOR (CAPTION) (CONT’D)
The NavDeck onboard is picking up my presence in the room and the Aparadox meter is trying to warn you:

4/3 MEDIUM
Cain sits down at the bar, a few seats away from Adam. He is frustrated and disappointed with his failure. Jae follows him in attempt to inquire more, though he remains standing. The Narrator sits across the bar from Cain, and manages to obscure his face once more. The Bartender is also present, making drinks or cleaning glasses, etc.

NARRATOR (CAPTION)
We are dangerously close to a potentially disastrous breach of the space/time continuum.

NARRATOR (CAPTION) (CONT’D)
Don’t you get it? We could end it all, right now, right here!

JAE
So you’re a...time traveler?

ADAM (SMALL)
Oh, give it up.

JAE
But you’re--correct me if I’m wrong--but you’re not on time. Is that what you’re trying to say?

4/4 MEDIUM-BARTENDER’S POV
The Bartender looks away from Cain, rolling his eyes as he continues about his work. Cain, Adam, and Jae are visible in the background, continuing their exchange.

CAIN
...

CAIN (CONT’D)
It’s not an exact science, you know.

CAIN (CONT’D)
In the grander scheme of things--of history--a day is the equivalent of a second in our own lives.

4/5 SAME ANGLE
The Bartender looks at the Narrator is an intensely curious expression; the gears in his mind are clearly hard at work. Meanwhile, in the background, Cain takes notice of Adam Ng.

CAIN
But yeah. My name’s Cain. I’m a time traveler, who apparently can’t get anywhere on time.

CAIN (SMALL) (CONT’D)
Laugh it up.

CAIN (CONT’D)
...

CAIN (CONT’D)
Hey, aren’t you Adam Ng?

NARRATOR (CAPTION)
Oh no. Please don’t.

4/6 SAME
The Bartender quickly turns his head to look at Cain; he’s made the connection between the two of them. Cain, meanwhile, addresses Adam..

ADAM
I’m Adam.

NARRATOR (CAPTION)
Please don’t say anything. Please. The structural integrity of space/time depends on it. Please don’t acknowledge us.

NARRATOR (CAPTION) (CONT’D)
Although...

PAGE 5

5/1 MEDIUM TWO-SHOT
Adam turns around on his bar stool to talk to Cain. In the background, the bartender continues his sequence of curious looks exchanged between Cain and the Narrator. The Narrator raises his glass, asking for another drink, in an attempt to distract him.

CAIN
You’re him? You’re Adam Ng!

ADAM
...

ADAM (CONT’D)
Yeah. Listen. I get what you’re doing. And I appreciate it, guys. Really. But it’s cool, you know?

NARRATOR (CAPTION)
The last time that I lived through this, the bartender must have noticed the exact same thing. And yet, he didn’t do a thing about it.

5/2 MEDIUM CLOSE
Adam sits front and center, making exaggerated and dramatic motions with his hands as he tries to discard the obvious truth of the situation.

ADAM
You hired some guy to show up and pretend he’s from the future, which will, in turn, make me feel better about today’s event.

ADAM (CONT’D)
At least that’s what you’re going for.

ADAM (CONT’D)
And I get it. I do. But it’s totally unnecessary.

NARRATOR (CAPTION)
This whole scene has played out, exactly as it’s going to.

NARRATOR (CAPTION) (CONT’D)
For reality’s sake, I don’t want to change it. And even if I did--would I really have a choice?

5/3 MEDIUM
The Bartender fills up drinks for the gathering of Adam, Jae, and Cain.

NARRATOR (CAPTION)
Could I jump up right now and yell, ‘It’s true! We’re from the future, see?’

ADAM
It’s not the end of the world, Jae. You know, we get credit for the conference, and in the meantime, we keep working on it in the lab.

NARRATOR (CAPTION)
Am I paralyzed by the fear of breaking down existence? Or am I paralyzed by pre-destination, by the fact that this is already written?

ADAM
And someday, somewhere down the line, it’ll go from purely theoretical to actual research, with practical application.

CAIN
No!

5/4 MEDIUM WIDE-NARRATOR’S POV
The Narrator perks up as the scene across the bar gets heated. Cain tries to explain his point, but Jae won’t have it.

JAE
I swear to you, I’ve never seen this guy-

CAIN
Adam. You’re the one. Don’t you get it? Everything I’ve read--everything I’ve learned about time travel, it all starts with you! It all starts with now. With today.

CAIN (CONT’D)
Edison. Franklin. Ng. That’s like, the trinity of science in my time!

NARRATOR (CAPTION)
It’s a strange sensation: you know the endgame, and yet you just can’t help but watch as each move plays itself out, exactly as imagined.

5/5 MEDIUM
Cain gets up from his seat and bar and walks away towards the door, throwing his hand up in disbelief, defeat, and irritation. Adam and Jae look on in shock

CAIN
You know what? Forget it.

CAIN (CONT’D)
I’ll just recalibrate and try again.

NARRATOR (CAPTION)
Wow.

CAIN
And you know what? I don’t even care if it creates another divergent time stream. I really don’t.

NARRATOR (CAPTION)
How come no one told me I was such a prick?

PAGE 6

6/1 SAME ANGLE
Adam and Jae look on as Cain exits the bar; the same blinding light from before consumes the panel.

NARRATOR (CAPTION)
Was a prick?

NARRATOR (CAPTION) (CONT’D)
Ah, who am I kidding.

6/2 SAME ANGLE
Adam and Jae look at each other in disbelief.

NARRATOR (CAPTION)
Not too long ago, that was who I am, and I suppose it still is.

6/3 CLOSE
The Narrator puts his glass down on the bar.

NARRATOR (CAPTION)
Loose time.

6/4 WIDE-OVER-THE-SHOULDER--NARRATOR’S POV
The Narrator rises from the bar stool as he observes Adam and Jae.

NARRATOR (CAPTION)
Things aren’t as specific as they were before. History leaves some wiggle room now.

NARRATOR (CAPTION) (CONT’D)
But only some.

6/5 MEDIUM
The Narrator approaches Adam and Jae with his hand extended for a shake. For the first time, we see his face clearly--it is Cain, with a five o’clock shadow and slightly messier or longer hair, wearing an outfit salvaged together from Goodwill over his jumpsuit.

NARRATOR
Hi, excuse me, um--I don’t mean to eavesdrop, but, well--

NARRATOR (CONT’D)
I’d like to talk to you about time travel.

NARRATOR (CONT’D)
I think we’ve met before, in some form or another. My name is Cain.

NARRATOR (CONT’D)
I was born in 2137, and this is my Tachyon Compression Gauge...

NARRATOR (CAPTION) (CONT’D)
So here’s your future.

Tuesday, September 16, 2008

The Beginning of the Fall

Anna brought the telescope down from her eye, observing the tumbling autumn landscape outside through the thin glass veil of bedroom window instead. One hand grasped nervously for the sill at the bottom, while the other reached for the lock above and deliberated; she unlocked the window with her top hand, but couldn’t bring herself to lift it up. Anna recoiled in fear and fell amongst the junkyard of books that filled her bedroom: thesauruses, dictionaries, and collections of all the classics, like Shakespeare, Milton, Marlowe, Hawthorne, Dickens. A pile of pages like feathers, torn from volumes of Dickinson and Plath, cushioned her fall as she grabbed for her telescope and brought again to her eye, spying on the world outside of her room.
Anna hated the fall.
She felt that its name was indicative of its disposition—death, decay, and collapse, the end of the things. As Rome had fallen, so does Mother Nature and the world outside that Anna loves so well. She found comfort in the cyclical quality of life, knowing that, after being covered in a white quilt of serenity for months, the vibrant colors that she loved so much would return to her life, new and fresh and good. She refused to leave her room during these months, for fear that she, too, would wilt and crumble in that chilling autumn breeze that tears each leaf from its stem and sounds it crashing to the hard, cold ground below. Gone was the sensual, seductive show of skin, replaced instead with chapped fingers and lips and necks hidden under scarves. Purples and pinks and blues and greens become shades of grey and all the squirrels and birds run far, far away.
She threw away the telescope once more and bounded for her bed, fumbling to fit her glasses on her nose, as she pulled out her diary and tried to capture all the colorful words that she could before the day was done and the summer gone for good. She knew that she should be outside, enjoying these last hours of summer as they transitioned into fall, but she was afraid of being caught in the change herself, so she opted instead to capture all the thoughts and images she could and horde them in her notebook.
And then the doorbell rang.
Like a squirrel hearing giant footsteps approaching, breaking twigs as they march, Anna perked her head up, extending her neck longer than she thought she could, and looked around. The doorbell sounded again. Cautiously, she put her notebook down and placed her pen in the fold of the spine between the pages and went to the door. She looked first through the small peephole, which reminded her of the telescope from which she watched the world whither, but she saw no one. She turned the deadbolt and opened the door as far as the chain would allow and saw a sliver of a child in a brown dress. But Anna looked beyond this and saw the pigments of fire—oranges, reds, yellows—sprinkled sparsely throughout the sea of green that surrounded her home. For a moment, Anna felt warmed and comforted by this sight, but almost immediately thereafter found herself overcome once again by the fear of that fire spreading, killing each bract and blade and signaling the End.
“Would you like to support Troop 621 and buy some cookies, ma’am?” asked the girl outside, with the sweet, curious naivety that only a child can provide. With a gentle smile of relief, Anna undid the chain lock and welcomed the young girl’s sale as she realized that perhaps the gentle wind that shook her hair would quell the fire, which in turn might give her solace in the coming chill.

Monday, September 15, 2008

Night Rainbows

When Mother asks him where he’s been, he’ll tell her
he was busy stealing lightning from a lightning bug.

His fingers will fidget, fumbling anxiously, trying
to keep the light from escaping and she will tell him that
it’s not nice to steal. In turn, he will try to retract
his response or explain, while the colors refract
ff his palm and just lay waiting restless under glass,

anticipating the innocent removal of his hand,
the magician's great reveal that allows them to escape (although
no one expects it, colors can be quite clever and conniving, too).

With disappointment, Mom will look at him—no words
are necessary with that glare the way she does it—
and he’ll try and try to verbalize the sheer divine
splendor of the epic arc of pigment, spilling every shade
and every hue of every color ever known, that had sprung
up from the same creek where he had once held court. But
he knows she’ll never listen, so he’ll just let the colors go
before he even gets home and then tell her
he was busy stealing lightning from a lightning bug
and let it go.